RYOKAN…THE BELOVED FOOL
Posted By crates on July 8, 2008
One of my most beloved poets is Ryokan, born in 1757 in Echigo, Japan. He became a Zen monk and led a life Christ-like in its gentleness and concern for humanity. This man fills my heart, he is a marvel…I include only a few of his poems here.
“When the moon shines
Clean and clear
Let me enjoy a plum-branch
In the evening so quiet.”
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“I know
The world is not
How it appears to be;
And yet how evanescent things are!”
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“Don’t you see
Things will change for good?
Both flowers early and late
Will vanish away sooner or later.”
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“Listening to the silent sound
Of the moss-covered stream
I feel myself grow as calm and transparent
As the soundless sound of the covered current!”
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Another version:
“Like the little stream
Making its way
Through the mossy crevices
I,too, quietly
Turn clear and transparent.”
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“Though travels
take me to
a different stopping place each night
the dream I dream is always
the same one of home.”
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“Those days–I wonder,
did I dream them
or were they real?
In the night I listen
to the autumn rain.”
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“Blending with the wind,
Snow falls;
Blending with the snow,
The wind blows.
By the hearth
I stretch out my legs,
Idling my time away
Confined in this hut.
Counting the days,
I find that February, too,
Has come and gone
Like a dream.”
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“Stretched out,
Tipsy,
Under the vast sky:
Splendid dreams
Beneath the cherry blossoms.”
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“Wild roses,
Plucked from fields
Full of croaking frogs:
Float them in your wine
And enjoy every minute!”
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“The thief
Left it behind–
The moon at the window.”
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I, me, you again after more than twenty years
On a rickety bridge beneath the hazy moon,
In the spring wind.
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“At dusk
Come to my hut-
The crickets will
Serenade you, and I will
Introduce you to the moonlit woods.”
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Your finger points to the moon,
but the finger is blind until the moon appears.
What connection has moon and finger?
Are they separate objects or bound?
This is a question for beginners
wrapped in seas of ignorance.
Yet one who looks beyond metaphor
knows there is no finger; there is no moon.
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This is one my favorites written at the end of his life to a young woman that he loved and with whom he exchanged poems:
“My legacy–
What will it be?
Flowers in spring.
The cuckoo in summer,
And the crimson maples
Of autumn…”
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And on his deathbed he wrote:
showing their backs
then their fronts
the autumn leaves scatter in the wind
Many of these poems of Ryokans were taken from Dewdrops on a Lotus Leaf
Translated by John Stevens.
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